Media Works Column VIDEO PROJECTS AT THE SOCIAL LAW LIBRARY OF BOSTON by John Pedini MC Journal: The Journal of Academic Media Librarianship, v.3 no.1, Spring 1995:28-30. When the Social Law Library was first established, Thomas Jefferson was president. The building wherein it now resides was erected at the end of the Great Depression. With a legacy like that it is hard to imagine the facility being one of the most up- to-date with respect to automated library functions and computer- assisted legal research, serving the patron today while planning for the next century. But it's true. The Social Law Library (established in 1804), housed in the Suffolk County Court House (erected in 1939) lives a double life. While its ancient wood and concrete halls resonate with echoes of the legal past, its work stations and terminals are alive with the clatter of modern communication technology. Part of the program dedicated to maintaining status quo in the field of staff and customer service is something very simple yet quite effective: videotape. Often overlooked or underestimated as a serious implement in the transmission of information of both an immediate and long-term nature, videotape keeps the Library current while preserving the past. The use of videotape technology in law has come a long way since the non grata status of cameras in the courtroom years ago. What was once a cumbersome medium that intruded upon the privacy and sanctity of judicial decorum now quietly sits, unnoticed but for a faithful operator or technician, off to the sides of the proceedings. Likewise, interviews and depositions can be conducted with a minimum of unsightly equipment and oppressive lighting. The picture that results is quite remarkable, too, with the innovations in quality of tape and camera tubes. The continued existence of court-related cable TV programming on the viewing market is testimony to the growing appeal of actual courtroom proceedings to the general public. The only thing video can't affect is how some of those courtrooms look! None of this information is lost on the Social Law Library. Besides staying current with computers, CD-ROM and automation of library functions, the Library wisely saw fit to maintain its visual capacity as well through the use of video technology; as staff training mechanism, legal education tool and effective *Page 28* public relations/archives facilitator. Using Hi-8 mm camcorders and editing equipment the Library can produce programs running the gamut from simple interviews and courtroom events to presentations and special interest features on Library activity. An example of the interview program is the Library's Oral History Project, which features interviews with many prominent members of the Bench and Bar of Massachusetts. The idea grew out of the custom of publishing memorial remarks for deceased justices in the Massachusetts state reports. The honorees, though universally praised and fondly remembered, were unfortunately unavailable to speak for themselves and thus had to rely on others to recall the events and results of their lives. Through the Oral History Project, individuals can tell their own life's story in their own words and likeness for all posterity. Among the 60 individuals interviewed so far, the list includes former Chief Justices, presidential candidates, nationally recognized attorneys, local legends, and simple folk who loom large in our lives. Interviewees often relate personal experiences that impact upon national issues. After the death of former president Richard M. Nixon, the library culled remarks from interviews of three key players in the prosecution, defense and attempt at impeachment (Archibald Cox, James St. Clair and Rev. Robert Drinan, respectively). The result was a fascinating tape that illuminated a dark period of American political history through the observations of those involved. The master tapes are stored in the Library and are available for anyone wishing to find out more than what may be on record for the person in question. And, as most interviews are done on location, one can get a sense of the person's natural environment while viewing the tape. Other examples of videotaped programs produced by the Library include special sittings of the supreme Judicial Court of Massachusetts. Recently the Court, once a circuit court, resumed its practice of sitting in the different counties of the state, *Page 29* starting in Salem (Essex County) on the 300 anniversary of the infamous Witch Trials (which also marked the tercentenary of the Court). Because of the special nature of the proceedings, the Library's camera was alongside to record the event, as will be for all such sittings. When the court has an event of a different nature, say, the visit of Russian judges, the announcement of a state-wide task force report on substance abuse and the court system, or the unveiling of the portrait of a retired justice, the Library's camera is there, keeping a record of the event for all posterity. This way the viewer of the finished tape can appreciate both the content and the context of the proceedings much better than by conventional printed means. The types of video productions mentioned thus far do well to portray or promote an event or program without doing much to alter or affect the natural cause of effect of the proceedings. But when a little bit of reality enhancement is needed to put a point across or make a statement, the video editing technology available at the Library comes into play. For many years now, the Library has produced tapes featuring the personalities of its staff and Head Librarian, Edgar J. Bellefontaine, in the effort to report to a specific audience, usually the Library's Board of Trustees, or other Librarians, on the progress of the Library over a given period of time. These tapes usually show the activity of the Library on a day-to-day basis, as well as examine its developing programs and highlight future goals and plans. And while much of the information presented is of a serious and important nature, the emphasis of the production is on entertainment as well as enlightenment. Many times the image of the Library's esteemed and respected Librarian has been digitally dissolved, windblown, blurred, superimposed, microphoned, cur carded, dressed up, zoomed in, and faded out! But it's all for the sake of maximizing the effect of the medium, which is sound and pictures. In that respect, the Library, through the timeless and fearless efforts of its star Librarian, has always sought to bring to life the essence of the world in which it has existed for almost 200 years, as alive today as it was then and will be tomorrow. On video! John Pedini is Director of Media Services Social Law Library Boston, MA and is serving as 1994-95 Chair of the AV/Micrographic Special Interest Section of the American Association of Law Libraries This article is copyright (C) by John Pedini. All Rights Reserved. All commercial use requires permission of the author and the editors of this journal. *Page 30*