CHARLES BERNSTEIN

Department of English
127 Fischer-Bennett Hall / 3340 Walnut Street
University of Pennsylvania
Philadelphia, PA 19104-6293
 
ESSAY BOOKS
My Way: Speeches and Poems (Chicago: University of Chicago Press, 1999)
A Poetics (Cambridge: Harvard University Press, 1992)
Content's Dream: Essays 1975-1984 (Los Angeles: Sun & Moon Press, 1986; rpt. Sun & Moon Classics, 1994; rpt. Northwestern University Press, 2001)
*
A Conversation with David Antin  (New York: Granary Books, 2002)

POETRY BOOKS

Full-length collections
Girly Man (Chicago: University of Chicago Press, 2006)
With Strings (Chicago: University of Chicago Press, 2001)
Republics of Reality: 1975-1995 (Los Angeles: Sun & Moon Press, 2000)
Dark City (Los Angles: Sun & Moon Press, 1994)
Rough Trades (Los Angeles: Sun & Moon Press, 1991)
The Sophist (Los Angeles: Sun & Moon Press, 1987; rpt. Salt Publishing 2004)
Islets/Irritations (New York: Jordan Davies, 1983; rpt. New York: Roof Books, 1992)
Controlling Interests (New York: Roof Books, 1980, rpt. 2005)
Legend, with Andrews, McCaffery, Silliman, DiPalma (New York: L=A=N=G=U=A=G=E/Segue, 1980)
Poetic Justice (Baltimore: Pod Books, 1979)
Shade (College Park, MD: Sun & Moon Press, 1978)
Parsing (New York: Asylum's Press, 1976)
Asylums (New York: Asylums Press, 1975)
 
Libretti
Blind Witness (Queens, NY: Factory School, in press, 2008)
Shadowtime (Los Angeles, Green Integer, 2005)

Pamphlets & Chapbooks
Three Works (Unpublishable #28, /Ubu, 2008)
Warrant (New Delhi: Aark Arts / Contemporary World Poetry), 2005
World on Fire (Vancouver: Nomados, 2004)
Let’s Just Say (Tucson: Chax Press, 2003)
Café Buffé [libretto] (Slope E-Chapbook #2, 2002)
The Subject [libretto] (Buffalo: Meow Press, 1995)
The Absent Father in Dumbo (Canary Islands: Zasterle, 1990)
Four Poems (Tucson: Chax Press, 1988)
Veil (Madison, WI: Xexoxial Editions, 1987)
Resistance (Windsor, VT: Awede Press, 1983)
Stigma (Barrytown, NY: Station Hill Press, 1981)
Disfrutes (Boston: Potes and Poets Press, 1981)
Senses of Responsibility (Berkeley: Tuumba Press, 1979; rpt. Providence: Paradigm Press, 1989)
 
 
COLLABORATIONS
Some of These Daze, with Mimi Gross (New York: Granary, 2005)
Log Rhythms, with Susan Bee (New York: Granary Books, 1998)
Reading Red, with Richard Tuttle (Köln: Walther Konig, 1998)
Little Orphan Anagram, with Susan Bee (New York: Granary Books, 1997)
Technology/Art: 20 Brief Proposals with James Sherry, Bruce Andrews for Seminars on Art & Technology,(Meow Press, 1995)
Fool's Gold, with Susan Bee (Tucson: Chax Press, 1991)
The Nude Formalism, with Susan Bee (Los Angeles: 20 Pages [Sun & Moon], 1989)
The Occurence of Tune, with Susan Bee (New York: Segue, 1981)
*
With Strings (2000-2001), collaboration with Richard Tuttle: poem-sculpture composed of letters strung from a spiraling brass line and grounded in a terra-cotta filled with the poem’s roots.

BOOKS TRANSLATED FROM THE FRENCH
Red, Green, and Black by Olivier Cadiot (Hartford: Potes & Poets, 1990)
The Maternal Drape by Claude Royet‑Journoud (Windsor, VT: Awede Press, 1984)
 

TRANSLATED BOOKS (of Charles Bernstein)
Decantando: Poema de Charles Bernstein [Portuguese], tr. Regis Bonvicino (Sao Paulo: Martins Editoria, forthcoming 2008)
Artifice de Absorcion (Selected Essays) [Spanish], introduction by Eduardo Espina, including a translation of Artifice of Absorption by Heriberto Yepez (Mexico: Aldus, forthcoming)
Selected Poems [Spanish], tr. Ernesto Grosman (Buenos Aires: Xul, forthcoming)
Runouden puolustus. Esseit ja runoja kahdelta vuosituhannelta  (A Defence of Poetry. Essays and Poems From Two Millennia) [Finnish], tr./ed. Leevi Lehto (Helsinki: Nihil Interit and Kirja kerrallaan, Fall 2006)
La política de la forma poética [The Politics of Poetic Form, Spanish translation], Néstor Cabrera, tr. (Habana, 2006; Editorial Thélema, Mexico, 2007)
Un Test de Poésie, tr. collectively at Royaumont (Marseille: Un Bureau sur L'Atlantique 1995)
Asile, tr. Paul Keineg (Marseille: Un Bureau sur L'Atlantique 1998)
*
La política de la forma poética [The Politics of Poetic Form], tr.Jorge Miralles, Néstor Cabrera, Nora Leylen, and Beatriz Pérez, with intro by Cabrera (La Habana: Torre de Letras, 2006)
*
Selected Poems and Essays [Swedish] (Stockholm: OEI, forthcoming)
Selected Poems [Spanish], tr. Ernesto Grosman (Buenos Aires: Xul, forthcoming)
Selected Essays [Spanish], ed. Eduardo Espina (Mexico City: Aldus, forthcoming)

EDITOR

PRINT
• Modern and Contemporary Poetics, with Hank Lazer,  a book series from the University of Alabama Press (1998 - )
• Louis Zukofsky: Selected Poems, with introduction (New York: Library of America, 2006)
• Sibila (São Paolo)(2006- , ed., 2003- , board)
• Poetry Plastique, ed. with Jay Sanders, exhibition catalog (New York: Granary Books / Marianne Boesky Gallery, 2001)
• 99 Poets/1999: An International Poetics Symposium (Special issue of boundary 2 – 26:1, 1999)
• Close Listening: Poetry and the Performed Word (New York: Oxford University Press, 1998)
• "13 North American Poets", with Susan Howe, in TXT #31 (Le Mans, France and Brussels: 1993)
• The Politics of Poetic Form: Poetry and Public Policy (NY: Roof, 1990)
• Patterns/Contexts/Time: A Forum: 1989, with Phillip Foss in Tyuonyi (Sante Fe, 1990)
• "L=A=N=G=U=A=G=E Lines" in The Line in Postmodern Poetry, ed. Frank/Sayre (Urbana: University of Illinois, 1988)
• "43 Poets (1984)" in Boundary 2 (Vol. 14, No. 1/2, Autumn, 1985--Winter, 1986 (Binghamton, NY)
• The L=A=N=G=U=A=G=E Book, with Bruce Andrews (Carbondale: Southern Illinois Univ. Press, 1984)
• "Language Sampler" in Paris Review, No. 86 (New York: 1982)
• L=A=N=G=U=A=G=E, with Bruce Andrews (New York: 1978‑1981); Vol. 4 copublished as Open Letter 5:1 (Toronto: 1982)
  
  WEB
• Co-Director/Founder, with Al Filreis, PENNsound (2003 -)
• Editor, & co-founder with Loss Pequeno Glazier, Electronic Poetry Center (1995- )
  Web Log (2006 -)
• Editor and co-founder with Ton van 't Hof, International Exchange for Poetic Invention
• Editor, Web Log (at EPC)
• Listowner/founder, Poetics listserve (1993 - )
  

ACADEMIC APPOINTMENTS
Donald T. Regan Professor of English and Comparative Literature, University of Pennsylvania (2003 - )

SUNY Distinguished Professor, State University of New York–Buffalo (2002-2003)

David Gray Professor of Poetry and Letters, Department of English; Director and Co-founder, Poetics Program; Associate Member, Program in Comparative Literature; State University of New York, Buffalo (1990-2003).

Visiting Distinguished Writer,  Paul McGhee Division, New York University (2007)

Visiting professor, Columbia University (2002)

Visiting professor, City College of the City of New York, CUNY (1998)

Butler Chair Professor (Visiting), Department of English, State University of New York at Buffalo (1989)

Lecturer, Creative Writing Program, Princeton University (1989, 1990)

Visiting faculty /series coordinator, Wolfson Center for National Affairs, New School for Social Research (1988)

Visiting professor, Department of English, Queens College of the City University of New York (1988)

Visiting Lecturer, Department of Literature, University of California, San Diego (1987)

*
Advisor to the Faculty, Transdisciplinary PhD Program on "Languages, Identities, and Globalization," Faculty of Arts & Sciences, University of Coimbra (2005- )

OPERA / MUSIC THEATER
Blind Witness News — libretto for an opera with composer Ben Yarmolinsky: American Opera Projects, Blue Door Studios (NY), December 3-4, 1990; libretto published in Ploughshares (1991). Revival at Cantiamo Opera Theater, New York, December 2005.

The Subject — libretto for an opera with Yarmolinsky, excerpts performed at "Friends & Enemies of Music",  Greenwich House, NY, Nov. 1991 & Feb. 1992; full reading Feb. 1992; libretto published by Meow Press (1995).

The Lenny Paschen Show — libretto for an opera with composer Ben Yarmolinsky American Opera Projects, Blue Door Studios (NY), Nov. 1992; libretto published as Abacus #86, 1994

Cafe Buffe — libretto commissioned for composer Dean Drummond's New Band Tour; “My Data’s Gone” and “It Must Be Time” premiered at Washington Square Church, 6/4/99. Libretto published as Slope e-book.

Shadowtime – libretto for Brian Ferneyhough (1998-2005).
Co-producers: Munich Biennale – International Festival of New Music Theatre; RuhrTriennale 2005; Festival d’Automne à Paris; Lincoln Center Festival New York. In association with Sadler's Wells Theatre, London. 
Commissioners: Score and libretto;commissioned by the City of Munich for the Munich Biennale. Additional commissions for the score: Carnegie Hall Corporation, Flanders Festival & Ian Pace,Musée d’Orsay & Ensemble InterContemporain, Françoise et Jean-Philippe Billarant for Ircam
Performances: Munich Biennale at the Prinzregententheater, Munich: 25, 27 & 28 May 04; Festival d'Automne at the Théâtre Nanterre-Amandiers, Paris: 26 & 27 Oct 04; Lincoln Center Festival, New York, 21 & 22 July 04, RuhrTriennale at the Jahrhunderthalle, Bochum: 20 Sept, 1 & 2 Oct 05

RADIO PRODUCTION

• LINEbreak, poetry interviews, host/co-producer.  Twenty-six 30-minute programs, dist. Public Radio Satellite Program and on the internet (1995-96)
• Studio 111, discussion with poets at the University of Pennsylvania (2004- )
• Close Listening, readings and conversations, on WPS1 (PS1/Museum of Modern Art) (2005- )

CDs

• Shadowtime, music by Brian Ferneyhough, Libretto by Ch.B., NMC (London, 2006)
• Blind Witness News, music by Ben Yarmolinky, Libetto by Ch.B. BenYar (forthcoming)
• Live at the Ear, editor (Pittsburgh: Elemenope / Oracular Lab Recordings, 1994): anthology of Ear Inn readings

AUDIO & VIDEO of READINGS
Class original audiotape works (Baltimore: Widemouth Tapes, 1982)
Guess Language audiotape reading of "Amblyopia" (Madison, WI: Audio Muzixa Qet, 1986)
SF State Poetry Center reading 2/28/79, videotape, American Poetry Archives #327 / 272A
SF State Poetry Center reading 10/06/84, videotape, American Poetry Archives #599/507
See other audio and video materials at PennSound author page

CURATOR / COORDINATOR
Louis Zukofsky Centennial, Columbia/Barnard (2004) (with Serge Gavronsky and Michael Golston)
“Poetry Plastique”, Marianne Boesky Gallery (2001) (with Jay Sanders)
Wednesdays at 4 Plus: Readings and Lectures, SUNY-Buffalo (1990-)
St Mark's Talks, The Poetry Project, New York (1984‑86)
New York Talk (talks/lecture series), Segue Foundation (1984)
Jackson Mac Low Sixtieth Birthday Tribute. With Anne Tardos. (1982)
Segue Book Distribution Service (1981‑1986)
Ear Inn Poetry Reading Series, New York, Co-founder (1978‑79)
Asylum's Press (Publisher) (1976‑1980)
"With Words: An Assembling of Visual Work from New York", Mercato del Salle Gallery, Milan (1978)

  
BOARDS, Committee PROFESSIONAL ASSOCIATIONS
Vice-President and co-founder, Chinese/American Association for Poetry and Poetics (CAAP) [University of Pennsylvania/China Normal University Wuhan]

Boards of organizations
Ontological Hysteric Theatre
Ubuweb Foundation
Futurepoem Books
Ugly Duckling Presse

Editorial Boards of Publications
boundary 2
Foreign Literature Studies (Wuhan, China)
Arizona Quarterly Review (Tucson)
Atlas (New Dehli)
Revista Canaria de Estudios Ingleses (Tenerife)

Penn: Chair, Personnel Committee (2007-2008)

Executive Committee, MLA Discussion Group for the Bibliography and Textual Studies (2004-2009).
Executive Committee, Poetry Division, Modern Language Association (1998-2002)

Correspondent, Sulfur (Los Angeles: 1985‑2000)

Advisory Boards (past service): Chain, The Greenwood Encyclopedia of American Poetry, Gertrude Stein Awards (Los Angeles); Syntax Project for the Arts (Pengrove, CA); Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, ed. Jerome Rothenberg and Pierre Joris; Boxkite (Australia); New York City Poetry Calendar; Postwar American Poetry, ABES (Annotated Bibliography of English Studies); Macdowell Colony (2003-04); New Works panel (literature and criticism), Massachusettes Council on the Arts (1987)

ARCHIVE
Manuscripts, letters, and papers, 1962-2000, are housed at the Mandeville Special Collection library, University of California, San Diego

ANTHOLOGIES (Poetry)
Best American Poetry 2007, ed. Charles Wright (Scribner's, 2008)

Seriously Funny: Poems About Love, God, War, Art, Sex, Madness, and Everything Else, edited by Barbara Hamby and David Kirby (Athens: University of Georgia Press): forthcoming

The Making of a Sonnet: A Norton Anthology, edited by Eavan Boland and Edward Hirsch (New York: Norton, 2007)

The PIP Gertrude Stein Awards for Innovative Poetry in English 2007, ed. Douglas Messerli (Los Angeles: Green Integer, 2008)

The PIP Gertrude Stein Awards for Innovative Poetry in English 2005-2006, ed. Douglas Messerli (Los Angeles: Green Integer, 2007)

The Best of Fence, ed. Rebecca Woolfe (Albany: Fence Books, 2008)

Creative Writing in Four Genres (Bedford/St. Martin's, 2008)

The Thomson Anthology of American Literature, Volume 5, ed. Jay Parini (Thompson Heilne, 2008)

Literature: Reading, Reacting, Writing, ed. Laurie G. Kirszner & Stephen R. Mandell - 6th Edition (Heinle / Thomson-Wadswoth, 2007)

The Oxford Book of American Poetry, ed David Lehman (2006)

The Longman Anthology of Poetry, ed. Averill Curdy and Lynne McMahon (2006)

The Wadsworth Anthology of Poetry, ed Jay Parini (Thompson/South Western, 2006)

The Broadview Anthology of Poetry, 2nd edn, eds. Herbert Rosengarten and Amanda Goldrick-Jones (Calgary, Alberta: 2006)

180 More: Extraordinary Poems for Everyday, ed Billy Collins (New York: Random House, 2005)

Understanding Poetry, ed. Walter Kaladjian (Houghton Mifflin, 2005)

Walt Whitman Hom(m)age 2005/1855, ed. Éric Athenot & Olivier Brossard (New York / Paris: Turtle Point Press, éditions joca seria, 2005)

Leda Tenório da Motta, ed., Céu Acima: para um ‘tombeau’ de Haroldo de Campos ( São Paulo : Editora Perspectiva, 2005)

The Norton Anthology of Poetry, 5th edition, ed. Margaret Ferguson, Mary Jo Bang, and Jon Stallworthy (New York: W. W. Norton, 2004);  plus Shorter 5th Edition.

Best American Poetry 2004, ed. Lyn Hejinian (New York: Scribner’s, 2004)

Understanding Literature: An Introduction to Reading and Writing, ed. Walter Kaladjian, Judith Roof, and Stephen Watt (Houghton Mifflin, 2004)

The Norton Anthology of Modern and Contemporary Poetry, 3d edn., ed. Jahan Ramazani, Richard Ellmann, and Robert O’Clair; Vol. 2, Contemporary Poetry (New York: W. W. Norton, 2003)

Great American Prose Poems: From Poe to the Present, ed. David Lehman (New York: Scribner’s, 2003).

'In the criminal's cabinet: An nthology of poetry and fiction', ed. Todd Swift (UK: nthposition, 2004)

Times New Roman: Poets Oppose 21st Century Empire, ed. Tod Swift (Nthposition.com, 2003)

100 Poets Against the War, ed. Todd Swift (Cambridge, UK: Salt, 2003)

Enough, an anthology of poetry and writings against the war, ed. Rick London and Leslie Scalapino (Oakland: O Books, 2003)

Stars & Stripes - Americka poezija postmodernizma ed. Petar Opacic (Split, Slovenia: Naklada Boskovic, 2003).

Best American Poetry 2002, ed. Robert Creeley (New York: Scribner’s, 2002)

Short Fuse: The Global Anthology of New Fusion Poetry, ed. Todd Swift and Phil Norton (New York: Rattapallax Press, 2002)

Poécie Américaine: 1950-2000 (Brussels: Le Cri Editions of In’Hui 56/57, 2002)

Voices in the Gallery (Rochester: University of Rochester Press, 2001)

Amerikansk katalog:Litterature og kunst I det 20. århundrede, ed. Niels Frank, Tue Andersen Nexø og Thomas Thurah (Copenhagen: Forfatterskolen, 2001)

An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, ed. Annie Finch and Kathrine Varnes (section editor and contributor) (Ann Arbor: University of Michigan Press, 2002)

Novi pesnicki poredak: Antologija novije americke poezije, ed. Vladimer Kopici & Dubravka Djuric (Novi Sad, Yugoslavia: Oktoh, 2001)

Crossing, audio CD, ed. Juliette Valéry (Bordeaux: Format Americaine, 2000)

The Norton Anthology of Jewish American Literature, ed. Jules Chametzky, Hilene S. Flanzbaum, Kathryne Hellerstein,  and John  Felstiner (2000)

The Body Electric: The Best Poetry from The American Poetry Review, 1972-1999, ed. Stephen Berg, David Bonanno, and Arthur Vogelsang (New York: W. W. Norton, 2000).

Á Royaumont, traduction collective (1983-20000) (Asniéres sur Oise, France: Editions Créaphis, 2000)

Jewish American Poetry: Poems, Commentary, and Reflections, ed. Eric Selinger and Jonathan Barron (Hanover: University Press of New England, 2000)

Ernst Jandl: Reft and Light, ed. Rosmarie Waldrop (Providence: Dichten, Burning Deck, 2000)

Poetry Writing: Theme and Variations, ed. David Starkey (NTC, 1999)

Real Things: An Anthology of Popular Culture in American Poetry, ed. Jim Elledge and Susan Swartwout (Bloomington: Indiana University Press, 1999)

Catalyst, ed. John Kinsella (UK: Folio/Salt, 1999)

The Norton Introduction to Literature, Seventh Edn.,  ed. by J. Hunter et al,7^th edn,  (New York: Norton, 1998); and 8^th edn. and “Shorter” (2001)

The Norton Introduction to Poetry, Seventh Edn., ed. J. Paul Hunter (New York: Norton, 1999)

The Gertrude Stein Awards in Innovative American Poetry: 1995-1996, ed. Douglas Messerli (Los Angeles: Sun & Moon Press, 1998)

Poems for the Millenium: The University of California Book of Modern and Postmodern Poetry, vol 2, ed. Jerome Rothenberg and Pierre Joris (Berkeley: University of California Press, 1998)

Four American Poets, tr. and ed. Manuel Brito (Madrid, in press)

Duetos 4 Poetas Norte-Americanos Cantemporâneous, ed. & tr. Régis Bonvivino (Ponta Grossa, Brazil: Editoria Uepg, 1997)

Novi Glasovi [Anthology of Contemporary American Poetry], ed. & tr.  Nina Zivancevic (Novi Sad: KOV Petro Krdu: 1997)

American Poets Say Goodbye the Twentieth Century, ed. Andrei Codrescu and Laura Rosenthall (New York: Four Walls Eight Windows, 1996)

Amerikanische Poetologie: Lyriker und Lyrierinnen der USA in Selbstaussagen und Gedichten - Eine zweisprachige Auswahl [American Poetologics: Statements and Poems by U.S. Poets — A Bilingual Edition], ed. Helmbrecht Breinig & Kevin Powers (Bamburger Editionen, University of Bamburg Library, Germany, 1996)

Onward: Contemporary Poetry and Poetics, ed. Peter Baker (New York: Peter Lang  Publishing, 1996)

Experimental–Visual–Concrete:Avant-Garde Poetry Since the 1960s, ed. David Jackson (Amsterdam and Atlanta: Rodopi Press, 1996)

A Salt Reader, ed. John Kinsella (Applecross, W. Autralia, Salt #6/7, 1996)

The Best Verse: Ten Years of Poetry (Williamsburg, VA: Verse, 12:2, 1995)

The Poetry Dictionary, ed. John Drury (Cincinatti: Story Press, 1996)

The Gertrude Stein Awards in Innovative North American Poetry: 1993, ed. Douglas Messerli (Los Angeles: Sun & Moon Press, 1995)

Sam Changed Tense, ed. William Howe and Raymond Federman (memorial poetry collection for Samuel Beckett (Buffalo: Tailspin Press, 1995)

Jahrbuch der Lyrik 1995/96, ed. Christoph Buchwald and Joachim Sartorius (Munich: C.H.Beck'sche, 1995)

Poesia Do Mundo: Antologia bilingue, org. Maria Irene Ramalho de Sousa Sousa (Porto, Portugal: Ediçòes Afrontamento, 1995)

Postmodern American Poetry: A Norton Anthology, ed. Paul Hoover (New York: Norton, 1994)

Fifty: A Celebration of Sun & Moon Classics, ed. Douglas Messerli (Los Angeles: Sun & Moon Press, 1994)

From the Other Side of the Century: A New American Poetry 1960-1990, ed. Douglas Messerli (Los Angeles:  Sun & Moon, 1994)

Antologija Americke Poezije: 1945-1994, ed. Srba Mitrovic (Novi Sad, Yugoslavia: Svetovi, 1994)

Selected Language Poetry, trans. Zhang Ziqing and Yunte Huang (P.R. China: Sichuan Art and Literature Publishing House, 1993)

The Best American Poetry 1992, ed. Charles Simic (New York: Collier/Macmillan, 1992)

La Lengua Radical: Antologia de la poesia norteamericana contemporanea, ed. & trans. Esteban Pujals (Madrid: Gramma, 1992)

Out of The World, ed. Anne Waldman (New York: Crown/Random House, 1991)

Language Poetry, ed. Sigi Curnow, intro by Michael Greer, in Meanjin (Melbourne), vol. 1, no. 1, 1991.

Broadway 2, ed. James Schulyer and Charles North (New York: Hanging Loose, 1989)

Americke Poetike, ed. Dubravka Duric et al (Beograd: Delo, 1989)

Language Poetries: An Anthology, ed. Douglas Messerli (New York: New Directions, 1987)

American Poetry Since 1970: Up Late, ed. Andrei Codrescu (New York: Four Walls/Eight Windows, 1987)

43 Poets (1984), ed. Bernstein, in boundary 2 (Binghamton, 1987)

New Directions 50: Anniversary Issue, ed. J. Laughlin, et al. (New York: New Directions, 1986)

21 + 1: American Poetry Today, ed. E. Hocquard and C. Royet‑Journoud (Montepellier Cedex, France: Delta,  1986)

Annual Survey of American Poetry (Great Neck, NY: Roth, 1987)

In the American Tree, ed. Ron Silliman (Orono, ME: National Poetry Foundation,  1986)

Alles Und Noch Viel Mehr: Das Poetische ABC, ed. G.‑J. Lischka (Bern: Bentelli, 1985)

Translation: Experiments in Reading, ed. Don Wellman (Cambridge, MA: O.ARS, 1983)

Realism: An Anthology of "Language Writing", ed. Ron Silliman (Tucson, AZ: Ironwood, 1982)

"Language Sampler", ed. Bernstein, in Paris Review (New York, 1982)

Views Beside . . ., ed. Fritz Balthaus (Berlin: Editions Vogelsang, 1982)

Perception, ed. Don Wellman (Cambridge, MA: O.ARS, 1982)

L'espace Amerique, ed. Jean‑Pierre Faye et al. (Paris: Change, 1981)

La Rosa disabitata: Poesia transcendentale americana 1960‑1980, ed. Luigi Ballerini and Richard Milazzo (Milan: Feltrinelli, 1981)

Elementary Poetry in U.S.A. East & West, ed. Julien Blaine (Marseille: DOC(K)S, 1981)

Sugar, Alcohol, & Meat, ed. John Giorno (LP record) (New York: Giorno Systems, 1980)

The Big House, ed. Michael Slater (New York: Ailanthus, 1978)

Deciphering America, ed. Michael Gibbs (Amsterdam: Kontexts, 1978)

1980, ed. Paul Vangelisti (Fairfax, CA: 1980)

Terraplane, ed. Brita Bergland and Tod Kabza (Windsor, VT: Annex, 1978)

Knock Knock, ed. V. Hudspith and M. Keller (NY: Bench, 1981)

*

Translation of Olivier Cadiot in The Yale Anthology of Twnetieth Century Frech Poetry (New Haven: Yale Univerity Press, 2004)

 
ANTHOLOGIES/COLLECTIONS (Criticism)

American Poetic Theory: From the Puritans to the Present. ed. Thom Tammaro (Univerity of Iowa Press, forthcoming)

Teaching Modernist Poetry, ed Peter Middleton and Nicky Marsh (London: Palgrave, 2008: in pres)

Models (306090), ed. Emily Abruzzo, Eric Ellingsen, Jonathan D. Solomon (Princeton Architectural Press, 2008)

Poetry and Cultural Studies Reader, Maria Damon & Ira Livinston (University of Illinois Press, 2008)

Introduction to Scholarship in Modern Languages and Literature , ed. David Nicholls (New York: Modern Language Association, May 2007): "Poetics"

Literature and Its Writers: An Introduction to Fiction, Poetry and Drama, ed. Ann Charters and Samuel Charters, 4th (Bedford/St. Martin’s, 2007): "The Difficult Poem"

Poetry and Pedagogy: The Challenge of the Contemporary, ed. Joan Retallack and Juliana Spahr (New York: Palgrave, 2006): "The Diffiuclt Poem" and "Creative Wreading: An Introduction"

Dark Horses: Poets on  Lost Poems, ed. Joy Katz and  Kevin Prufer (University of Illinois Press, 2006)

Contemporary Poetics, ed, Louis Armand (Evanston, IL: Northwestern University Press, in press, Fall 2006: “How Empty Is My Bread Pudding”

Seance, ed. Christine Wertheim and Matias Viegener (Los Angeles: Make Now Press, 2005): "The Art and Practice of the Ordinary"

Towards a Foreign Likeness Bent: Translation, ed. Jerrold Shirmora
(Duration: Poetics, book 1, 2005): "Breaking the Translation Curtain: The Homophonic Sublime"

Poetry in Theory: An Anthology 1900-2000, ed. Jon Cook (London: Blackwell, 2004)

Jewish in America, ed. Sara Blair and Jonathan Freedman (Ann Arbor: University of Michigan Press, 2004)

Lofty Dogmas; Poets on Poetics, ed. Maxime Kumin and Annie Finch (University of Arkansas Press, 2005)

Ezra Pound, Critical Assessments, ed.Dorsey Kleitz (East Sussex, UK: Helm Information, 2005)

The Poet's Bookshelf: Contemporary American poets on the Books that Shaped Their Art, ed. Peter Davis (Selman: Ind.: Barnwood Press.)

Rebound: The American Poetry Book, ed. Michael Hinds and Stephen Matterson (Amsterdam and Atlanta: Rodopi Press, 2004): "Book as Archetecture"

Wild and Whirling Words: A Poetic Conversation, ed. H. L. Hix (Silver Spring, MD: Etruscan Press, 2004)

The Politics of Information, ed. Marc Bousquet and Katherine Wills (Electronic Book Review, 2003)

110 Stories: New York Writes After September 11, ed. Ulrich Baer (New York: NYU Press. 2002)

Poécie Américaine: 1950-2000. ed. Jacques Darras  (Brussels: Le Cri Editions of In’Hui 56/57, 2002)

The Laugh that Laughs at the Laugh: Writing from and about the Pen Man, Raymond Federman; Federman
LINEbreak interview , Journal of Experimental Fiction  23 / Writers Club Press, 2002

Beyond English, Inc., ed. David Downing, Mark Hurlbert, Paula Mathieu (Portsmith, NH: Boynton/Cook Heinemann, 2002)

Reimagining Textuality: Textual Studies in the Late Age of Print:, ed. Elizabeth Bergmann Loizeaux and Neil Fraistat (University of Wisconsin Press, 2002)

The Informatics of Resistance, ed. Marc Bousquet and Katherine Wills

Poetry Speaks: Hear the Voice of the Poet from Tennyson to Plath, ed. Elise Paschen and Rebekah Presson Mosby (Chicago: Sourcebooks, Inc., 2001)

Alternative Library Literature, 2001/2001: A Biennial Anthology, ed. Sanford Berman and James P. Danky (Jefferson, NC: McFarland & Co., 2001)

Manifesto: A Century of Isms, ed. by Mary Ann Caws (University of Nebraska Press, 2001)

M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism, ed. Susan Bee and Mira Schor (Duke University Press, 2000)

A Book of the Book: Some Works & Projections About the Book & Writing, ed. Jerome Rothenberg and Steve Clay (New York: Granary Books, 2000)

Poetics@, edited by Joel Kuszai (New York: Roof Books, 1999)

Leiturs do ciclo, ed. Ana Luiza Andrade, Maria Lucia de Barros Camargo, and Raúl Antelo (Santa Catarina, Brazil: Editoria Grifos for abralic, 1999): “Verso Não-Reprenentivo”, tr. Régis Bonvincino

From Artifice to Indeterminacy: An Anthology of New Poetics, ed. Christopher Beach (Tuscaloosa, Alabama, University of Alabama Press, 1998)

Pisan Cantos by Ezra Pound, tr. Yunte Huang (Guilin, China: Lijiang Publishing House, 1998)

The Recovery of the Public World: Essays in Honor of Robin Blaser (Vancouver: Talon Boos, 1999)

Federman, from A to X-X-X-X – An Encyclopedia Narrative, ed. Larry McCaffery, Thomas Hartl, and Doug Rice (San Diego: San Diego State Press, 1999): “Some Questions for Ray Federman”

“Riding’s Reason”: Introduction to Laura (Riding) Jackson and Schuyler Jackson, Rational Meaning: Toward a New Foundation of Words (Charlottesville: University of Virginia Press, 1997)

"An Area of Act": Race and Readings in American Poetry, ed. Aldon Nielsen (University of Illinois Press, 2000): “Poetics of the Americas”

Beauty and the Critic: Aesthetics in an Age of Cultural Studies, ed. James Soderholm (Tuscaloosa: University of Alabama Press, 1997) “What’s Art Got to Do with It” (expanded)

Onward: Contemporary Poetry and Poetics, ed. Peter Baker (New York: Peter Lang  Publishing,
1996): “The Parts Are Greater than the Sum of the Whole”

Experimental–Visual–Concrete:Avant-Garde Poetry Since the 1960s, ed. David Jackson (Rodopi Press, 1996)
Poetry and the Year 2000,  ed. Leslie Davis (Xurban Press)

Amerikanische Poetologie: Lyriker und Lyrierinnen der USA in Selbstaussagen und Gedichten — Eine zweisprachige Auswahl [American Poetologics: Statements and Poems by U.S. Poets - A Bilingual Edition], ed. Helmbrecht Breinig & Kevin Powers (Bamburger Editionen, University of Bamburg Library, Germany, 1996)

American Literary History Reader, ed. Gordon Hutner (New York: Oxford University Press, 1995)

Talking the Boundless Book: Art, Language, and the Book Arts (Minneapolis: Minnesota Center for the Book Arts, 1995)

New Approaches to Social Criticism, ed. Graca Capinha (University of Coimbra, Portugal 1994) [in translation]

The Tribe of John: John Ashbery and Contemporary Poetry, ed. Susan Schultz (University of Alabama Press, 1995)

Technology/Art: 20 Brief Proposals (1984), by C.B., James Sherry and Bruce Andrews (Buffalo: Meow, 1995)

A Suite of Poetic Voices, ed. Manuel Brito (Santa Brigida, Spain: Kaddle Books, 1994).

The Practice of Poetry, ed. R. Behn & C. Twichell (New York: HarperCollins, 1992)

Gertrude Stein Advanced, ed. Richard Kostelanetz (Jefferson,NC: McFarland & Co, 1990)

Conversant Essays, ed. James McCorkle (Detroit: Wayne State Univ. Press, 1990)

The Politics of Poetic Form, ed. Bernstein (New York: Roof, 1990)

The Stiffest of the Corpse: An Exquisite Corpse Reader, ed. Andrei Codrescu (San Francisco: City Lights, 1989)

"Video Games" catalog essay for the American Museum of the Moving Image (Queens: 1989)

Americke Poetike, ed. Dubravka Duric et al (Beograd: Delo, 1989)

Contemporary Literary Criticism, ed. Daniel G. Marowski and Roger Matuz (Detroit: Gale Research Co., 1988)

The Line in Postmodern Poetry, ed. Robert Frank and Henry Sayre (Urbana: University of Illinois Press,    1988)

Nice to See You‑‑Homage to Ted Berrigan (Minneapolis: Coffee House Press,1989)

Louis Zukofsky, ed. Harry Gilonis (London: North and South Press,1988)

What Is a Poet?, ed. Hank Lazer (Tuscaloosa: Univ. of Alabama Press, 1987)

Robert Creeley: The Poet's Workshop, ed. C.F. Terrell (Orono, ME: National Poetry Foundation, 1985)

New Critical Perspectives, ed. Bruce Boone (San Francisco: Soup, 1985)

Writing/Talks, ed. Bob Perelman (Carbondale: Southern Il. Univ. Press, 1984)

Postmoderna Literatura: Recent Trends in American Criticism, ed. Peter Carrevetta and Paolo Spedicato  (Milan: Bompiani, 1984)

The L=A=N=G=U=A=G=E Book, ed. Bruce Andrews and Bernstein (Carbondale: Southern Illinois University Press, 1984)

Code of Signals, ed. Michael Palmer (Berkeley: Io, 1983)

A Critical Assembling, ed. R. Kostelanitz (Brooklyn: Assembling,1979)

A Symposium on Clark Coolidge, ed. Ron Silliman (Milwaukee: Membrane, 1978)

 
PREFACES, INTRODUCTIONS, &c

"Preface": Federman at 80: From Surfiction to Critifiction ed. Jeffrey DiLeo ( State University of New York Press, 2008)

"Preface," Jerome Rothenberg, Triptych (New Directions, 2007)

Introduction, Body of Work by Maggie O'Sullivan (London: Reality Street Editions, 2007)

"Afterword," Collected Poems of Robin Blaser (University of California Press, forthcoming)

“Preface” to Jerome Rothenberg, Writing Through: Translations and Variations (Wesleyan Poetry, 2004)

In Parts, written for the catalog for Richard Tuttle, In Parts, 1998-2001, Institute for Contemporary Arts, University of Pennsylvania, catalog poem in collaboration with Tuttle (2002)

“A Conversation with Robert Creeley” in Just in Time: Poems 1975-1994 by Robert Creeley (New York; New Directions, 2001)

Introduction, Prepositions by Louis Zukofsky (Wesleyan, CT: Wesleyan University Press, 2001)


 
TV, FILM, VIDEO
Incident at Wal-Mart, or, Where's My Daughter (1999) and Unmaking Whoopee, Or, The Text is Thus a Gas (2006), videos by Lara Oddel
The Answer (2003), video by Niels Plenge
Something Wonderful May Happen, film directed by Lars Movin & Niels Plenge on NY School: interview and reading (Copenhagen, 2001)
Finding Forrester (2000), a film by Gus Van Sant; cameo role of Dr. Jack Simon
Yellow Pages TV commercials (1998), directed by Jeff Priess, with Jon Lovitz
A New Life (1989/1999), video by Henry Hills
Plagarism (1981), Radio Adios (1982), and Money (1985), films by Henry Hills

PERIODICALS (Poetry)

2008
The Nation (Feb.): ""All the Whiskey in Heaven"; West Coast Line (Roy Miki Tribute): "You Never Looked So Simulating"; Conjunctions:: "Won't You Give Up This Poem to Someone Who Needs It," "Loneliness in Linden," and "Dea%r Fr~ien%d"; Ubu Unpulishable #28: "Letter from Washington," "747 Poem"; Hotel Amerika: "Brush Up Your Chaucer"; Electronic Poetry Review #8: "You Say Insipid, I say Inscripsit," "What makes a Poem a Poem?" and "Up High Down Low Too Slow"; Poetry: "Pomepii" and "Two Stones with One Bird"; Exquisite Corpse: "Work in Progress".

2007
Tikkun (May/June): "Every True Religion Is Bound to Fail"; Poetry: "Sad Boy's Sad Boy," and "Design"; Poetry Daily: "Thank You," Didn't We"; Absent: "Definitions of Brazil"; MiPoesis (David Trindad issue): "Charmless Vector," "In the Next Issue"; W13: "Words Used Five Times in Giry Man," "Most Freq. Words in With Strings," "Most Freq. Words in The Sophist"; Barrow Street:"Ku-na-hay," "Open Echo"; The Cimarron Review: "Irreconcilable Disrepair", Brooklyn Rail (July/Aug.): "Truth Be Told"; Reconfigurations #1: "Great Moments in Taches Blanches"; Zen Monster #1: "War Stories" ; NO: A Journal of the Arts #6: "The Truth in Pudding"; Boog City: "A Long Time till Yesterday";

2006
Hambone #18 (Santa Cruz, CA): "The Duck Hunters"; Atlas #1 (New Dehli):"Language, Truth and Logic," "Questionnaire," "There's Beauty ..."; Coconut 4: "Open Echo" & "Further Color Notes"; DCPoetry Antnology/2005: "Window's End"; MiPoesias: "The Twelve Tribes of Lacan"; Brooklyn Rail (June) & Torch (New York): "Girly Man":; Cordite (Austraila): "Ku(na)hay"; Nthposition: "Theory of Flawed Design"; Rampike (Windsor, Ont.: 14:2): Shaodwtime synopsis; Fulcrum Annual  #5: tr. Baudelaire, Apollinaire, Drummond; Argotist Online: three poems form Girly Man ("Bridges," Nightmare on Elm." "If then") (UK)

2005
Verse: 25th Anniversary Issue (Athens, Ga.): "Explicit Version Number Required," "In Particular," Make It Snappy ..."; Milk Magazine, Vol 6: "The Ballad of the Girly Man"; EOAGH (#2): "Poem Composed for Jackson Mac Low"; LA Review: "Secrets of a Clear Hand"; Notre Dame Review #19: Yellow Pages ads; Chain: "Likeness"; Dandelion (Calgary): "Warrant."; Shampoo #24: "In Res Robin; Peregrene (Penn: #1): "Let's Just Say"; Fulcrum: "Warble of the ..."; No (New York): "How Empty Is My Bread Pudding"; DC Annual: "Window's End"; Cricket OnLine Review I:2: "Bricklayer's Arms"

2004
Brooklyn Rail: "Self-Help"; Saint Elizabeth Street (New York): “Bridges Freeze before Roads”; Long Shot (Hoboken): “When Well We Weep”; Rattapallax (New York): “The Bricklayer’s Arms”; Vallum (Montreal): “A une Mendiate Rousse”; Barrow Street: “Evening Sail with Prawns”, “"Blown Wind," and "All  Set"; Modern Poetry Review: “For Bill Charley Bill on Memorial Day”; 88: A Journal of Contemporary American Poetry: “If You Lived Here …”; PomPom: “Pomegranates”, Dandelion (Calgary): "Warrant", Call: Review (New York): "In Parts"; OEI (#s18-21, Stockholm): Veil; Drexel Online Journal: "Emma 99", "A Poem Is Not a Weapon", "Action Figure"
 
2003
Philadelphia Inquirer (3/31/03): “War Stories”; Triquarterly: “Every Lake” (#116, Winter); Verse (copublished with Jacket): “In Particular”; Interim: “Death Fuge (Echo)”; Hotel Amerika (#3): from “World on Fire”;  Fulcrum #2: from “World on Fire”; Golden Handcuffs #2, from “World on Fire”; Van Gogh’s Ear #2: “Should We Let Patients Write Down Their Own Dreams”, Electronic Poetry Review #5: “Slap Me Five, Cleo”, The Canary #2 (Eugene, OR): "Jacob's Ladder" and "A Poem Is Not a Weapon", Chain: “A Test of Poetry” , The Muse Apprentice Guild: “… at Dia”; Golden Handcuffs: from World on Fire, Fulcrum: from World on Fire, Dandelion (#28, vol. 2): “Language, Truth, and Logic”; Barrow Street (Winter): “sorrow where there is no pain”.
 
2002
Michigan Quarterly Review – Jewish in America: “Sign Under Test” (Fall: XLI:4); Green Mountain Review – Comedy in Contemporary American Poetry: “Warrant” (XV:1&2); Colorado Review: “Castor Oil” (Fall); Teachers & Writers:  “Johnny Cake Hollow” and “Empty Biscuits” (33:4, March/April); Washington Square: “Thank You for Saying Thank You” (Spring); Boog City: “Comforting Thoughts (#3, New York); Performance Research: “Seven Tableau Vivant”,;Dandelion: “Language, Truth, and Logic” (Vancouver); Trope­_5: “There’s Beauty”; The Spook:  June: “In Between”; nthposition.com: “Memories”;  Traffic East (#2: Buffalo): “In Particular”;  Boog #3: “Comforting Thoughts; Can We Have Our Ball Back #13: “Pocket in the Hole”; Primary Writing, Dec.: “Jacob’s Ladder” (Washington, DC);
As editor: Swedish Poetry and Poetics: A Gathering; boundary 2 - Volume 29, Issue 1
 
2001
Notre Dame Review (#11); Poetry New Zealand (#22); “Funny Business” issue, The Eastvillage (vol. 11);; Princeton Library Chronicle, Mantis (Stanford), Teachers  & Writers (New York),  Slope , Drunken Boat, aufgabe #1 (Provincetown), Arc (#15: Tel Aviv). Journal of Literature and Aesthetics  (1:1, Kollam, India)
 
2000
boundary 2, Sulfur (45/46), Salt (vol. 12), The Courtland Review (www.courtlandreview.com), West Coast Line (#31 / vol. 34, no. 1), Agni (#52), Boston Review (25:2), Facture (1), Conjunctions (35: American Poetry: States of the Art), Art Issues (#63, Summer: “Haikucriticism”), slope (www.slope.org), “abs TruCt heh GarBagt” CD in Cabinet #1.
 
1999
New American Writing (Mill Valley, CA: #17), Queen Street Quarterly 3:2 (Toronto), King Log (Internet), Open Letter, Hunger Magazine (#6: Rosendale, NY), Verse (16:3/17:1), Lipstick Eleven , Salt Hill (Syracuse: #7), the Journal (Dublin: #2), “Editor’s Picks” WebDelSol.Com  (Internet)¸ Barrow Street, Dietsche Warande & Belfort (Alsemberg, Belgium: #4, August; “An Mosaic” on CD-Rom), Fracture (#1), Harper’s (Oct.), Kiosk (Buffalo)
 
1998
Fence (New York: 1:2), Sulfur, Synasethetic (New York:  4/5), l'Esprit créateur (Lexington, KY: Vol. XXXVIII, No. 4), Passages, Larry Eigner Issue (ezine), Hunger Magazine (Rosendale, NY: I:3), TOOL (Albany: 1), American Letters & Commentary (NY: 10), The End (Sommerville: 1), Kenning (#3), Poetry in Performance (NY: 26)
 
1997
Sulfur (Ypsilanti: #41), Verse  (UK/US: 14:2), Long Shot #19 (Hoboken), Bellingham Review (Bellingham, Wash.: XX:1), Misc. Project (Atlanta: #4); Green Mountains Review: 10th Anniversary: American Poetry at the End of the Millenium  (Johnson, VT: IX:2/X:1); Cabso (Quebec), Radical Poetics (Stanmore, Middlesex, UK: #1), Boxkite (NSW, Australia: #1), Together (Sao Paolo), Jacket (Internet, #1, Australia), Salt (Australia/UK: #10, #11), Bathos Journal (#1), non (Internet: #1, SF)
 
1996
Tinfish  (Honolulu:  #2), boundary 2 (Pittsburgh: Fall, 23:3), Michigan Quarterly Review  (Ann Arbor: XXXV:4, Fall),  Diacritics  (Ithaca: 26:  3/4), Chloroform (Buffalo), Sulfur (Ypsilanti: #38 and #39), The Iowa Review (Iowa City: 26:2, Sept.), Colorado Review (Denver: XXIII:1,  Spring), Big Allis (New York #8) , Talisman (Jersey City: #15), Private Arts  (Chicago, #10), Flashpoint (DC: 1:1), New American Writing (Mill Valley, CA: #14), Chain (Buffalo: #3), Salt (Applecross, W. Australia, #6/7, #8), Arras (Rutherford, NJ: #3), River City (Memphis: Winter,  16:1), Capalano Review (Vancouver: 2:17/18), Mudfish (New York), Valentine (New York: special edition), Poetry New York (#8), Prosodia: A Journal of the New College Poetics Program (#6, San Francisco), First Offence (UK, #10) ,  Parataxis (UK, #8/9), Kiosk (Buffalo: 9), Little Magazine (#21b, WWW, Albany), Political Diction (DC, issue 1996), M/E/A/N/I/N/G (New York: #19/20), Sulfur (Ypsilanti: #39)
 
1995
The Little Review (CD-ROM, Albany: Vol. 21,), Tinfish (Honolulu: #2), Hambone (Santa Cruz, #12),  And (London: #9), Lingo (W. Stockbridge), Avec (Pengrove, CA: #10), The Baffler (Chicago: #6), Ribot (Los Angeles,#3), River City (Memphis: Fall/Winter), Poetry Project Newsletter (New York), New American Writing (Chicago, #13), Tongue to Boot (London: #1), A Brief Description of the Whole World (Auckland, NZ: #1), Sulfur (Los Angeles: #36) , Rif/t (Buffalo: #3), 99: Turn of the Century Magazine (New York)
 
1994
Sulfur (Los Angeles: #34), Conjunctions  (New York), Postmodern Culture (5:1, Sept.), I Am a Child (Buffalo), Words Worth (Somerset,UK:#4),  River City (Memphis: 14:2, Spring), Object Permanence (Glasgow: #3), Kiosk (Buffalo)
   
1993
Avec (Pengrove,CA:#6), Rif/t (Buffalo:#1), Elephant (Los Angeles: #1), Common Knowledge (Dallas: 2:3, Winter), Mirage/Periodical (San Francisco), Object (New York: #1), Object Permanence(Glasgow: #1), Washington Review (D.C.: XIX:1, June/July), Notus (Ann Arbor), Situation (Buffalo: #4), O.Ars (Weare, NH), The World (New York), Turbulence (Hockessin, Del. :#1), Long News (Brooklyn),  No Roses Review (Chicago), River Styx (St. Louis: #39), Wallace Stevens Journal (Potsdam, NY), Texture (Norman,OK)  
 
1992
Talisman (Hoboken), New Madrid , Columbia Poetry Review (Chicago), Lyric & (San Francisco), Uprising  (Buffalo), Co-Lingua/NRG (Portland), O.blek (Stockbridge, MA), To (Philadelphia), Generator (Mentor, OH) 
 
1991
Hambone (Santa Cruz, #12), Object Permanence (Glasgow: #4), Hot Bird Mfg (New York), O.blek (Stockbridge,MA), Generator (Mentor, OH), Ploughshares (Boston), Colorado North Review (Boulder), Verse (UK/US), Tyuonyi (Sante Fe), Barscheit (Vancouver, #2), Pataphysics (Melbourne), Aerial (Washington, DC), Uprising (Buffalo) 
 
1990
Sulfur (Ypsilanti: #32), Big Allis (New York #3), Conjuctions (New York), Washington Review (D.C.), Talisman (Hoboken), Verse (UK/US), New American Letters and Commentary,(New York), Buffalo Broadsides (Buffalo), Stele (New York), Carrionflower Writ (Melbourne), Contemporanea (New York), 90 (Buffalo), World Letter (Iowa City), Serie D'Ecriture (UK), Screens and Tasted Parallels (Palo Alto) 
 
1989
New American Writing (Chicago), Conjunctions (New York),Object Permanence (Glasgow: #2), O.Ars (Weare, NH), Tailisman (Hoboken), O.blek (Stockbridge,MA), Archeus (London), Epoch (Ithaca), Minnesota Review (Stony Brook), Screens and Tasted Parallels (Palo Alto), Caliban (Ann Arbor), American Poetry Review (Philadelphia), Generator (Mentor,Ohio), American New Writing (Leland, MI), Poetry New York, Writers and Books (Rochester), Oovrah (New York) , Sulfur (Los Angeles)
 
1988
Poetry Project Newsletter (New York), Conjunctions (New York), Notus (Ann Arbor), Talisman (Hoboken), Tyuonyi (Sante Fe), Caliban (Ann Arbor), Witness (Farmington Hills, MI), Rethinking Marxism (Amherst), The Newspaper (Westfiled, NJ), Clown War (Brooklyn), Santa Monica Review  
 
1987
New American Writing (Chicago),  Notus (Ann Arbor),  O.blek,(Stockbridge,MA), Temblor (Los Angeles), Generator (Mentor,Ohio), Central Park (NY), First Offence (London), Talus (London), Raddle Moon (Vancouver), Los Angeles Weekly, Sulfur (Los Angeles), Cheap Review (New York),
SMARTS Poetry on the Busses (Santa Monica), Alternative Press (Grindstone City, MI), 
 
1986
Orange Export Ltd.(Paris), Notes(Paris), Oink (Chicago), Archive for New Poetry Newsletter (San Diego), Tramen (San Francisco), Sink (San Francisco), Sulfur (Los Angeles), Black Mountain II Review, Human Means (Boulder) (Buffalo), Post Neo  (Victoria, Australia), Rampike (Toronto), Writing (Vancouver),  
 
1985
Sulfur (Los Angeles), Poetry Project Newsletter (New York), Tyuonyi (Sante Fe), Temblor (Los Angeles), Tramen (San Francisco),  Abacus -- solo issue (Elmwood:CT.), Mandorla/Minetta Review (New York), Southern Humanities Review (Auburn,AL), Aphros (New York), Gandhabba (New York), African Golfer and Popular Poetix and Multiples (Missoula)
 
               
1984
Private Arts (Brooklyn), The World (New York), Gandhabba (New York), Splash (New Zealand), Rampike (Toronto), The Brooklyn Review (Brooklyn), Writing (Nelson,BC), Acts (San Francisco), Reality Studios (London), Gallery Works (Bronx),  New Wilderness/Wch Way (San Diego, Los Angeles, Albany), Ear (New York), Writing (Vancouver)   
 
1983
Sulfur (Los Angeles) #32, Conjuctions (New York), Washington Review (D.C.),  S.5.W (Missoula), Obligatory Hug (Santa Rosa, CA), Important Poetry Press (Santa Cruz), Hills (San Francisco, CA), Boxcar (Los Angeles), Issue (Los Angeles), Sapiens (Millburn, NJ), Parallax (Auckland, New Zealand), Wch Way (Albany and Los Angeles, African Golfer and Popular Poetix and Multiples (Missoula), Los Angeles Weekly
                 
1982
The World (New York), Oink (Chicago), Parallax (Auckland, New Zealand), Paris Review (New York), Paper Air (Blue Bell, PA), Benzene (New York), Oink! (Chicago), QU (Oakland), Credences (Albany), African Golfer and Popular Poetix and Multiples (Missoula), Assassin (New York), Annex (Ithaca), The Difficulties (Kent,OH),    
               
1981
The Difficulties (Kent, OH), Unmuzzled Ox (New York), Sun & Moon (College Park, MD), This (San Francisco), Clown War (Brooklyn), Rocky Ledge (Boulder), Rawz (London), Periodics (Vancouver), Poetry Project Newsletter (New York), Words Worth (Someset, UK: #4)                  
 
1980
The World (New York), Benzene (New York), Zone (New York), This (San Francisco), Text (New York), Mag City (New York) 
 
1979
Sun & Moon (College Park, MD), This (San Francisco), Out There (New York), Lost Paper (Barrytown, NY), Ah Noi (N. Bergen, NJ), Periodics (Vancouver), Trumps (Barrytown, NY), Miam (San Francisco), Roof (New York), Paper Air (Blue Bell, PA)
 
1978
Reality Studios (London), Hills (San Francisco, CA.), Sun & Moon (College Park, MD), Text (New York), DOC(K)S (Marseilles), Blank Tape (Brooklyn), Shuttle (Mamaroneck, NY), Dodgems (New York), E Pod (Baltimore), Telephone (New York), Bezoar (Gloucester), Roof (New York), Flute (New York), Tottel's (San Francisco), A Hundred Posters (Boston and New York and Boulder)
 
1977
Poetry Project Newsletter (New York), Assembling (Brooklyn), City (New York), EEL (D.C.), Roof (New York), La Bas (College Park,MD), Flute (New York), Shell (Boston), A Hundred Posters (Boston and New York and Boulder), 432 Review (New York)
 
1976
Washington Review (D.C.: XIX:1, June/July), Tottel's (San Francisco), A Hundred Posters (Boston and New York and Boulder), Black Box (D.C.), NRG (Portland)
 
 
PERIODICALS (Criticism/Essays)

2008
American Literry History, 20th Anniversary Issue (20:1/2): "Objectvist Blues"; Textual Practice (22:2): "Fraud’s Phantoms"

2007
Brooklyn Rail (April): Foreword to Jerome Rothenberg's Triptych; Poetry Project Newsletter Robin Blaser "Afterword" (Jan./Feb.); Textual Practice: "Making Audio Visible"; Conjunctions: "The Meandering Yangtze" (on Ashbery)

2006
Open Letter (12:8 Spring): "The Poet in the University or the Ends of Sinecure: The Task of Poetics, the Fate of Innovation, and the Aesthetics of Criticism"; Text 16: An Interdisciplanry Annual of Textual Studies, ed. W. Speed Hill and Edward M. Burns: "Making Audio Visible"; "Composing Herself (on Barbara Guest), Bookforum Apri/Mayl; "Brooklyn Boy Makes Good" (on Charles Reznikoff), Brooklyn Rail, March;" Zukofsky: An Introduction," Foreign Literature Studies (28:2, April, Wuhan, China) ; Brooklyn Rail: "Knockin' on Heaven's Door: Bob Dylad and the Adolescent Sublime"

2005
Milk Magazine vol. 6: "A Letter to Arkadii Dragomoshchenko"; The Brooklyn Rail (May), Golden Handcuffs, Textual Practice, American Poet #28: "Hero of the Local: Robert Creeley and the Persistence of American Poetry"; Ecopoetics: "Maggie O'Sullivan's Medleyed Verse"; Publishers Weekly (12/19) and Brooklyn Rail (Feb.) on Reznikoff's Collected; Rail piece expands on PW review.

2004
On Haroldo de Campos  (PSA Crossroads, #61, Spring); “Celan’s Folds and Veils”, Textual Practice
 
2003
“The Difficult Poem,” Harper’s (June);  Salt 15 (“For Claude Royet-Journoud); “Electronic Pies in the Poetry Skies,” Contexts (Ireland), “How Empty Is My Bread Pudding” (Prague Literary Review; vol. 1 issue 6, December)
 
2002
“Some of These Daze” (9/11 aftermath): boundary 2 (29:2, Spring 2002); “Report from Liberty Street”, University of Chicago web site; Bridge: “Creeley’s Eye” (2:1);  Sagetrieb: “Our Celan”; Theater (New Haven: 32:2): “Stein's Legacy in Language”; Hotel Amerika (#1: Ohio University, Athens): Stein Induction Intro.; Kiosk (no. 1: Lauterbach and Notley intros); Salt 14 / Jacket 14 (“Poetry and the Sacred”); Pen America: “Conspiracy of Us” (reprint) (#3: New York)
 
2001
boundary 2 (28:2): “A Conversation with Geoffrey O’Brien”, Jacket 14:  “Poetry and the Sacred”; The Review of Contemporary Fiction: “A Conversation with David Antin” (Spring, XXI:I): Chase Park (Oakland: 1:1);  American Letters & Commentary (NY: 13): Poetry Plastique introduction; Geist: “It’s 8:23 in New York” (Vancouver: Vol. 42, Fall)
 
1999
Toronto Globe and Mail (4/12/99, C1): “Against National Poetry Month as Such”; University of Chicago Press Web Site (4/99): same; Poetry Project Newsletter April/May, #174): e-space and utopias; Shark (New York: #2): “Speed”, Dialectical Anthropology (24: 3&4, Dec.), Stand (Leeds, UK: New Series 1:4, Dec.): Zukofsky’s Prepositons, “Foreword”.
 
1998
l'Esprit créateur (Lexington, KY: Vol. XXXVIII, No. 4): “Breaking the Translation Curtain”; American Literary History (Madison: 10:1): symposium on intellectuals, Imago (10:1, Brisbane): dialog with John Kinsella.
NOTE: An interview of the editors of  Mike & Dale’s Younger Poets (Spring), attributed to me, is a fabrication of the editors.
 
1997
Edinburgh Review 97 (Scotland), Chloroform (Buffalo), Theater Magazine 28:1 (New Haven), The Poetry Project Newsletter (Dec./Jan. ’97-’98, #167), Daedalus 126:4 (Cambridge)
 
1996
Diacritics  26:  3/4(Ithaca), Modernism/modernity (Chicago: 3:3),  Michigan Quarterly Review  (Ann Arbor: XXXV:4, Fall), Modern Fiction Studies (MFS) (West Lafayette, Ind.: 42:3, Fall), Arachne (Laurentian University, Ontario: 3:1), Object Lesson (Providence #13, Fall), Collapse (Vancouver: #2, December), Reden: Revista Española de Estudios Norteamericanos (Universidad de Alcalá, Spain: #11, año 7)
 
1995
Modernism/modernity (Chicago: 2:3),  Arizona Quarterly Review (Tucson: 51:1,Spring), West Coast Line (Barnaby, B.C.: 29:2, Fall), Review of Contemporary Fiction (XV:3), The Baffler (Chicago:#6), Amerika Studien/American Studies (Munich: 40:1), West Coast Line (Vancouver: #17, 29:2)
 
1994
College Literature, West Chester,PA: #21.2, June), Witz (Pengrove, CA), Common Knowledge (3:2), Sulfur (Ypsilanti: #35, #34), Conjunctions (New York: #23), M/E/A/N/I/N/G (New York: #s 15 & 16)
 
1993
Texture (Norman, OK), Sulfur (Los Angeles), Open Letter (London, Ont. and Toronto), Poetic Briefs Interview Issue (Buffalo), American Literary History (Madison: 5:4,Fall)
 
1992
TDR (New York: Fall  v 36 #3 T135), Harvard Book Review (Cambridge), Aerial (Washington, D.C.), Sulfur (Ypsalanti), Waste Paper (Denver)   
 
1991
Open Letter (London, Ont. and Toronto: 8:1, Fall), Conjunctions (New York), M/E/A/N/I/N/G (New York: #9), Poetics Journal (Berkeley), Postmodern Culture (Sp & Fall), Sulfur (Yipsalanti),  Motion Picture (New York)
 
1990
Critical Inquiry (Chicago), Notes (Paris), Central Park (New York), InHouse/Poet's House (New York), Nassau Review (Princeton), intent (Buffalo), Margin (London) , Sulfur (Ypsilanti), M/E/A/N/I/N/G (New York: #7)
 
1989
Aerial (Washington, D.C.), M/E/A/N/I/N/G (New York: #5), Writing (Vancouver), Harper's (New York), Temblor (Los Angeles), Fiction International (San Diego), Minnesota Review (Stony Brook), The Difficulties (Kent,OH), Poetry Project Newsletter (New York)
 
1988
Arts (New York), Persona Magazine (Tucson), Caliban (Ypsilanti, MI), Poetry Project Newsletter (New York), Sulfur (Los Angeles), M/E/A/N/I/N/G (New York: #3) 
 
1987
Sulfur (Ypsilanti), Open Letter (London, Ont. and Toronto: 6:9, Fall), Socialist Review (Oakland), Abacus --solo issue (Elmwood, CT), The Difficulties (Kent, OH)
 
1986
boundary 2 (SUNY, Binghamton), Social Text (New York), The Yale Review (New Haven), American Poetry (University of New Mexico, Albuquerque), Sulfur (Los Angeles), M/E/A/N/I/N/G (New York: #1), XDREAM (Boston)     
 
1985
Southern Humanities Review (Auburn University, AL), Ottotole (San Francisco, CA), Credences (SUNY, Buffalo), Jimmy and Lucy's House of K (Oakland), Poetry Project Newsletter (New York) , Sulfur (Los Angeles: #32), Open Letter (London, Ont. and Toronto), Ironwood (Tucson, AZ),
 
1984
The Difficulties (Kent, OH), Jimmy and Lucy's House of K (Oakland), Sagetrieb (University of Maine, Orono), Sulfur (Los Angeles: #32), Exquisite Corpse (Baltimore)
 
1983
Poetics Journal (Berkeley), Sagetrieb (University of Maine, Orono), Washington Review (D.C.), Sulfur (Los Angeles: #32), The Lobby Newsletter (Cambridge, UK)
 
1982
Open Letter (London, Ont. and Toronto), The Difficulties (Kent, OH), Poetry Project Newsletter (New York), Sagetrieb (University of Maine, Orono), The Paris Review (New York), Wch Way (Albany and Los Angeles), Zone (New York)
 
1981
boundary 2 (SUNY, Binghamton), Reality Studios (London), L=A=N=G=U=A=G=E (New York) 
 
1980
Sun & Moon (College Park, MD), Small Press Review (Paradise, CA), L=A=N=G=U=A=G=E (New York), Paper Air (Blue Bell, PA) 
 
1979
New Wilderness Letter (San Diego), L=A=N=G=U=A=G=E (New York)
 
1978
Open Letter (London, Ont. and Toronto), Poetry Project Newsletter (New York), L=A=N=G=U=A=G=E (New York), American Book Review (New Brunswick, NJ), A Hundred Posters (Boston)
 
1977
Open Letter (London, Ont. and Toronto), Poetry Project Newsletter (New York), Red M (New York)
 
1975
Stations (Milwaukee)
 
 
PERIODICALS/Collections (in translation)

2006
"Professing Sten/Stein Professing" tr. Norwegian by Paal Bjelke Andersen & "A Defence of  Poetry, tr Norwegian by Øyvind Berg, in Nypoesi; "Beyond the Valley of the Sophis, tr. Dubravka Djuric in Think Tank #7-8/May-June (Beograd); "Thank You for Saying Thank You," tr. Regis Bonvicino, Folio (Sao Paulo, Folha 13 August) and in Sibila 11. "Use No Flukes," "War Stories," "Definitions of Brazil," (tr. Bonvicino) & "Our Americas" (tr. Odile Cisneros, Sibila 10

2005
 "Thank You for Saying Thank You," "Slap Me Five, Cleo," & "Frequently Unasked Questions," tr. into Dutch by Ton van 't Hof for Poëziepamflet.nl; "In Particular," "Let’s Just Say," "Gertrude and Ludwig’s Bogus Adventure," & "The Harbor of Illusion," tr. Luigi Ballerini, Almanacco Odradek (Italy); Experiments list, Tuli & Savu
(Helsinki: #3/2005); Interview with Romina Freschi, plabella #6 (Buenos Aries); "Riding's Reason," in Laura Riding, Mindscapes: Poemas, Selected, translated into Portuguese, and introduced by Rodrigo Garicia Lopes ( Sao Paulo : Editora Iluminuras , 2004).

2004
from "Artifice of Absorption" tr. Manuel Brito, in La Pagina 58 [XVI:4]; “Solidarity Is the Name” and “Thank You for Saying Thank You”: diwan, tr. Dubravka Djuric (Bosnia); Interview with Eric Denut, Musica Falsa #20 (Paris); selection of A Poetics tr. and introduced by Lionel Cuillé, Formule (France); from Artifice of Absorption, tr. Lionel Cuillé, Formes Poétiques Contemporaines, #2 (France); Apparatur 10 (Denmark): "Thank You for Saying Thank You," "Let's Just Say," "Every Lake"; Vinduet #2 (Oslo) "A Defence of Poetry," tr. translated by Øyvind Berg
 
2003
Regis Bonvicino interview, el poeta y su trabajo (#14: Mexico);  “Dear Mr. Fanelli”, tr. Jorge Perednick, Clarin, Suplementos, Cultura y Nación, June 14 (Buenos Aires); Nypoesi (Norway): "The Only Utopia Is in a Now," "Virtual Reality", and set of short poems from Rough Trades, tr. into Swedish by Jörgen Gassilewski;  Nuovi Argomenti: “Report from Liberty Street” (Rome, Italy:  No. 19 – Quinta Serie - September), Lotek64: “Play It Again Pac-Man” (Graz, Austria: Nr. 2, August); Sibila: Interview with Régis Bonvicino (#3: Sao Paulo), Tuli&Savu (#5: March, Helsinki): “A Test of Poetry”; "Manufacture of Negative Experience," tr.Dubrvka Djuric, ProFeminia (33/24 Belgrade, received 2005)
 
2002
Il Verri (Milan): "Objectvist Blues," essay tr. Milli Graffi.

2001
Sibila: Revista de Poesia e Cultura #o (Ganja Viana, Cotia, SP, Brazil): from Parsing, tr. Régis Bonvincion; Legenda #2 (Denmark): “Stray Straws and Straw Men”; Kulttuurivihkot (#5 Finland): "At the Reading" 1-3, tr. Leevi Lehto; sebastião (Brazil): “Me Tranform, O!”; Nuorivoima 4-5 (Helskinki): “Mao-Tsung Wore Khakis”, “Salute”, “Harbor of Illusion”; Aujourd’hui Poème #24 (Dec. 2001, Paris): “Of Course” (from Shade),
 
2000
“Reznikoff’s Nearness” (excerpts), if (Marseille: #16); “Experiments” list, Chung Wai Literary Monthly, vol. 29, no. 1 (National Taiwan University)
 
1999
je te continue ma lecture: Mélanges pour Claude Royet-Journoud (Paris: P.O.L, 1999); “Warning—Poetry Area”, Ord&Bild (Göteborg, Sweden: #1 and #2); “Defence of Poetry” and “Artifice of Absorption”, OEI (#1, Göteborg); “From and Ongoing Interivew”, tr. R. Federman, quaderno (Nante, France: #4, Automne); “Warning—Poetry Area”, kultura: Review for the Theory and Sociology of Culture and Media (Beograd: #99); “Introjective Verse”, Nerter, tr. Johan Amador Bedford  (#1, La Laguna, Tenerife); “Pounding Fascism”, obaje (Yugolsavia), “In the Middle of Modernism”, in Poesis, tr. Lia Zougrou and Panos Stogianos, issue #13, pp.63-80 (Greece).
*
Régis Bonvicino, Me tranformo ou O filho de Sêmel (Sao Paolo: Tigre de Espelho): incorporates CB’s homophonic translation of RB’s poem
 
1998
Cult: Revista Brasileira De Literatura, “Poetics of the Americas” (Sao Paulo: Ano II, 17), Ord&Bild, tr. Jörgen Gassilewski  (Göteborg, Sweden: # 1-2),  Monturo , “Unrepresentative Verse” (Sao Paulo: #2)
 
1997
Revista Critica de Ciências SociasI, tr. Graça Capinha and Maria Irene Ramahlo (Coimbra, Portugal, Feb. 1997, #47), Ord&Bild, tr. Jörgen Gassilewski  (Göteborg, Sweden: #5)
 
1996
Revue Générale de Litérature,  “Introjective Verse” tr. Jean-Paul Auxemary and Pierre Alféri (Paris);  Pro-Femina, “Professing Stein”, tr. Ana Gorobinski (Beograd); Gendai-Shisou, Arakawa/Gins issue (“revue de la pensèe aujourd’hui) (Tokyo: vol. 24-10), Cult (Sao Paolo: #3, Oct. 1997)
 
1995
Xul , “The Conspiracy of `Us’”, tr. Jorge Santiago Perednick (Buenos Aires: #11, Sept.); Japanese Poetry Review, tr. Toshi Ishihara; Contemporary World Literature, “State of the Art”  (Seoul); Transkatalog , “Poetics of the Americas” (Novi Sad, Yugoslavia: Broj 2/3, Leto);  Mandorla,  “Dysraphism” tr. Ernesto Grosman (Mexico City: #4)
 
1994
Le Discours Psychoanalytique (Paris, #12, Oct.); Portti, tr. Leevi Lehto (Tampere,  Finland, 4)
 
1993
Nuori Voima (Helsinki), TXT (Le Mans, France and Brussels, #31), Helsingen Sanomat (Helsinki)
 
1992
Vendredi 13 (Paris), Nuovi Argomenti (#40 & #43; Milano), Obaje (Yugoslavia), Osvit (Yugoslavia), Gradina (Novi Sad, Yugoslavia)
 
1991
Syntaxis (Spain), Polja (Novi Sad, Yugoslavia)
 
1990       
Republika (Zagreb), Quorum (Zagreb), Notes (Paris), La Pagina (Tenerife, Canary Islands)
 
1989
Revista canaria de estudios inglesses (Canary Islands), Delo (Belgrade), Digraphe (Paris), AGRIPPA/Fifth International Poetry Festival in Tarascon (Le Reveste-les-Eaux, France)
 
1987
Polja (Novi Sad, Yugoslavia), Gendaishi Techo (Tokyo), ZUK (Paris), Poetic Function (Leningrad)
 
1985
II Cobald (Genoa, Italy), Per Approssimazione (Palermo, Italy)
 
1984
Per Approssimazione (Palermo, Italy)
 
1981
Change (Paris)
 
 INTERVIEWS
Interview with Yubraj Aryal, The Humanities Today (Philosophical Society of Nepal, 2008)
Interview by Nie Zhenzhao, Foreign Literary Studies, Wuhan, China, Vol. 29, No. 2 April 2007.
A Conversation with Henry Hills (from 1985), Midway #1 (2006)
Interview by Romina Freschi, plabella #6 (Buenos Aries) (translated into Spanish); English version: Green Integer Review #1; repinted, Healing Matrix (2006)
Conversation with Solange Rebuzzi, Croniópios (Brazil, 2006)
Interview with Eric Denut, Musica Falsa (Paris) (2004) & in English, The Argoist Online and All About Jewish Theatre (2005)
Fulcrum interview (2005)
Interview with Omar Barada, Lettres françaises (Paris) (2004)
Chicago Modern Poetry (on-line) (2004)
“Conversation with Marjorie Perloff”, Fulcrum #2 (2003)
“Conversation with David Caplan” (on Prosody), Antioch Review 62:1 (Winter, 2003)
Monitor, interview with Aleksandar Becanovic, Montenegro (in Montenegrin), Monitor, 24 May 2002 (Godina XIII, Broj 605), pp. 44-46
With James Shivers, interviewing Susan Bee and CB on collaborations, Artkrush (2002)
With Jeff Hansen, Rain Taxi, Vol. 7, No. 1 (2002)
With Régis Bonvincino: Sibila #3 (2002: Sao Paulo) and, together with essay and translation, “Sabado”,  Sao Paulo, jornal de tarde, August 19, 2000, p. 3
“Conversation with Mei-mei Berssenbrugge,” Conjunctions (#35, 2000: American Poetry: States of the Art)
Contemporary Literature interview with Allison Cummings and Rocco Marinaccio (vol. 40, no 1, Spring 2000)
r e a d . m e, issue #1, 1999
The Front Table, Seminary Co-op Bookstore, February/March 1999
New York City Poetry Calendar on Close Listening Feb.  1999 (vol. 23, no. 2)
“What Sharp Ears You Have”: two-part interview, Writer on Line, with Dana Luther, 1998
“Pour une critique de l’ordinarie,” Études Françaises (University of Guelph, Quebec),  33:2, 1997
“On Poetry, Language, and Teaching: A Conversation with Charles Bernstein“ with Paul Bové, Stephen Heath, Lynn Emmanuel, David Bartholmae, boundary 2 (23:3; Fall, 1996)
Conversation with J. Monroe, A. Lauterbach, B. Perelman: Diacritics (26:  3/4, 1996)
Neil Gladstone, “20 Questions for Charles Bernstein”, Philadelphia City Paper (Oct. 24, 1997)
Autobiographical Interview with Loss Glazier: boundary 2 (23:3; Fall, 1996); Contemporary Authors Autobiography Series, Gale Research, 1996; reprinted in My Way
Rodrigo Garcia Lopes, Vozes e Visões: Panorma da Arte e Cultura Norte-Americans Hoje (São Paolo: Illuminuras, 1996); also printed in OccaM: Jornal da Fundação Cultural de Curitiba, Curitiba (Brazil), #1, May 1996.
Interview with Hannah Möckel-Rieke: Amerikastudien/American Studies (Munich: Wilhelm Fink Verlag), vol. 40, 1995, pp. 59-67; reprinted in My Way.
Interview with Manuel Brito, A Suite of Poetic Voices, ed. Manuel Brito (Santa Brigida, Spain: Kaddle Books, 1994); reprinted in My Way.
Interview with Jefferson Hansen: Poetic Briefs , 1993
Interview with Scott Fennessey, “M=I=X=I=N=G Genres”, The Book Press (Ithaca, NY) Vol. 2, No. 2, March 1992
“A Conversation with Henry Hills”: Abacus #27, 1987
Interview with Douglas Messerli and CB by Nina Zivancevic: Sagetrieb (1983 / 1984)
Interview with Bruce Andrews and CB by  Susan Howe, WBAI‑FM‑‑Pacifica Radio, NY (1979); printed in L=A=N=G=U=A=G=E Supp. #3, 1980
*
Three Interviews with Tom Beckett, in Content’s Dream,  A Poetics, My Way
 
RADIO APPEARANCES
American Publics Media, "Weekend America": reading of "Thank You" (April 7), interview
France Culture, with Omar Berrada, "La nuit la poésie," November 1, 2004
BBC Radio 3, “The Verb” with Ian MacMillan, July 12, 2003
Radio Radio, produced by Martin Spinelli (2003)
NPR – “Morning Edition” and “Studio 360”, WNYC, “Poet’s Voices,” produced by Sara Fishko (2003)
NPR – “All Things Considered,” commentary, “Against National Poetry Month as Such”, April 2001
 "To the Best of Your Knowledge", Wisconsin Public Radio, April 1995; September 1996 (Program #96-07-14-C: Uses of Radio)
BBC 3 on Pound (5/26/99)
Radio Reading Project, with Ernesto Grosman, c. 1999
BBC Radio: "Soundwaves", April 1995 and October 1996
 
CORRESPONDENCE
With Steve McCaffery, 1976-1977, Line 5 (Simon Fraser University, BC: 1985)
 
READINGS (featured readings only)
                1975-1991
Harvard College‑‑Farnsworth Poetry Room, The Poetry Project of St. Mark's Church, The Poetry Center of San Francisco State University, University of California at San Diego, Beyond Baroque Foundation (Venice, CA), The Public Theater of the New York Shakespeare Festival, Temple University, Sonoma State University (CA), Painted Bride Arts Center (Philadelphia), Anthology Film Archive (NY), Corcoran Gallery of Arts (DC), Institute for Arts and Urban Resources at PS 1 (NY), WBAI‑FM‑‑Pacifica Radio (NY), KPFT‑FM‑‑Pacifica Radio (Houston), 12th International Sound Poetry Festival (NY), Ear Inn (NY), Grand Piano (San Francisco), 80 Langton Street (San Francisco), Droll‑Kolbert Gallery (NY), Viridian Gallery (NY), Columbia College (Chicago), Russian River Series at Copperfields (Sebastapol, CA), Desire Productions (Baltimore), 10 Leonard Street (NY), Ithaca Poetry Festival at the Arts Cooperative (NY), El Centro (NY), Greenwich Books (NY),Locale (NY), The Placecenter (NY), City University of New York Graduate Center Auditorium, Folio Books (D.C.), McGlinchey's (Philadelphia), State University of New York at Binghamton, State University of New York at Buffalo, Detroit Institute of the Arts, University of Southern California (Los Angeles), California Institute of Technology (Pasadena), California Institute of the Arts (Los Angeles), The Village Gate (NY), Woodland Pattern Book Center (Milwaukee), Victoria University (Wellington, NZ), University of Auckland (Auckland, NZ), The Glue Pot (Auckland, NZ), The Cable Gallery (NY), Salute at Michael Bennet Gallery (NY), School of the Art Institute of Chicago, The Geraldine R. Dodge Poetry Festival (Waterloo, NJ), State University of New York at Oneonta, Queens College of C.U.N.Y., Canessa Park (San Francisco), Bookworks/Pannikan (San Diego), San Diego State  University, Poetry Center of the University of Arizona (Tucson), Writer's Center at S.U.N.Y. at Albany, Art on the Beach (Creative Time, Hunter's Point, Queens), Pallson's (New York), Brown University (Providence), University of New Mexico (Albuquerque), Eastern Michigan University (Ypsilanti), PEN American Center (NY), Fifth International Festival of Contemporary Poetry (Tarascon, France), New School for Social Research (NY), Spoken on the Tongue‑‑WKCR radio (NY), Kootenay School of Writing (Vacouver, BC); Radiofree Rainforest on Co‑op Radio (Vancouver), City University of New York Academy of the Humanities and Sciences/Graduate English Department, ARC at the Museum of Modern Art of the City of Paris, FNAC (Marseille), Red Flannel Reading Series at Central Park Grill (Buffalo), Arts District Bookstore (Tucson), Gallery Lelong (New York), UC‑Riverside, Pomander Bookshop (New York), The Living Theater (New York), The University of Rochester, Club Lower Links (Chicago)
 
                1991
Ear Inn, The Naropa Institute (Boulder), MilanoPoecia (Milan), Alte Schmeide (Vienna), Serbian Literary Society (Beograd), Novi Sad (Yugloslavia) Public Library, Beograd Public Library, Canterbury Books (Calgary), Birchfield Art Center (Buffalo), EWG Poetry Series at Gallery 101 (Ottawa)
 
                1992
Rhode Island School of Design (Providence), Ear Inn (New York), Litterisches Colloqium (Berlin), University of Coimbra International Poetry Festival (Portugal); Books, Books, Books (WBFO, Buffalo), Northeast Modern Language Association (Buffalo), Aerial Benefit at The Poetry Project (New York), Bard College (Annandale), La Libraire Village Voice (Paris); Radical Jewish Culture Festival at the Knitting Factory (New York)
 
                1993
The Poetry Center of the 92nd Street Y (New York); Ear Inn (TO magazine benefit); Earwitness/Poet's League of Greater Cleveland at Spaces (Cleveland); University of Manoa / Hawaii Literary Society (Honolulu);  University of Laguna (Tenerife, Canary Islands); University of Maine (Orono); (Eigner Tribute at University Art Museum (Berkeley); New Langton Arts (San Francisco); Binghamton Community Poets "Big Horror" series, Amsterdam Tavern (Binghamton); Nordic Poetry Festival (NY) 
 
                1994
University of Southampton (UK), Subvoicive series and Poets and Writers series (London), The Academy of American Poets at Alliance Francaise, Miami University of Ohio, Center for Book Arts (Minneapolis), Kootenay School of Writing (Vancouver), Geoff Young Gallery (Gt Barrington, Mass.), University of Virginia (Charlottesville), University of Pennsylvania, Cornell University.
 
                1995
University of California, Berkeley; 20th Century Literature Conference, Keynote Poet, University of Kentucky, Louisville; Stanford University; The Poetry Project of St. Mark's Church, New York; Writer's Center of Indianapolis; UB Literature Society Atmosphere Benefit Reading, Unitarian Church, Buffalo; Yale University, "The End of Language: Experimental, Visual, Concrete Poetry since 1960"; Poets for Choice at Ceres Gallery, New York; Bumbershoot: The Seattle Arts Festival, Featured Performer; University of Chicago ; Museum of Contemporary Art (Chicago)
 
                1996
University of Pittsburgh, University of Wisconsin — Madison, University of New Hampshire (“Assembling Alternatives” conference),  Pennsylvania State University, Ear Inn (NYC), Ichor Gallery (NYC), Bridge Books (D.C.), The Poetry Project “Poems for the Millenium” Reading (NYC), Just Buffalo Literary Center, Segue Space (NYC)

1997
University of Western Ontario (London), University of Southern Florida, Posman Books (NYC), Word of Mouth (Waltham, Mass.),  DIA Art Foundation (NYC), University of Oregon, Temple Gallery – Temple University, University of South Carolina, Here (NYC), DIA Center for the Arts

1998
Stanford University (Palo Alto, CA), Contemporary Arts Education Project (Los Angeles), University of Oregon (Eugene), Small Press Traffic at New College (San Francisco), University of California – San Diego, University of Alabama, York University (Toronto), position.com (Toronto), Livraria DUAS CIDADES  (Sao Paolo), KGB  (NY)

1999
Bridge Street Books (DC), 57th Street Books (Chicago), Columbia College (Chicago), The Tucson Poetry Festival, UCSD: Pearce Prize Reading, Postmodern Piracy Conference (Salem, Ohio), Just Buffalo Literary Center, Poets for Choice/Ceres Gallery (NYC), Walt Whitman Cultural Art Center (Camden), New School Graduate Writing Program (NYC), Notre Dame University, Geoff Young Gallery (Gt Barrington, Mass.), Museum for Franco-American Relations (France)

2000
College of William and Mary, Southeast Oklahoma State University, Southern Christian University (Ft. Worth), Writer’s Garret (Dallas), The Poetry Project/St. Marks Church (NYC), Butler University, Damien College (Amherst, NY), Goddard College (Plainfield, Vermont), NEMLA Conference (Buffalo), University of Pennsylvania, DeMontfort University, UK

2001
Harvard University (Woodberry Poetry Room), New York University (The Fales Library), University of Georgia, Double Happiness (NY), Ceres Gallery (NY), "Bad Language"—University of Auckland, NZ (teleconference), Glyptothek museum (Copenhagen), Helsinki arts center, University of Colorado—Denver, University of Denver, Brown University

2002
Subvoicive (London), Royal Holloway (UK), LitCity (New Orleans), Berks Poetry Festival (Pennyslvania), Oglethorpe University (Atlanta), University of Southampton (UK), Drawing Center (NYC),  New School University , Georgetown University, Cartier Foundation (Paris)

2003
The Tower  (Havana), Birchfield-Penny Art Center (Buffalo),  Segue@Bowery Poetry Club (NY), People’s Poetry Gathering (NY), University of Calgary, Arts & Ideas: 8th International Festival of Arts & Ideas (New Haven), University of Virginia, Kelly Writers House (University of Pennsylvania), Prague International Poetry Festival

2004
Zinc Bar (New York), Casper Jones (Brooklyn), Green Integer Salon (Los Angeles), Chapman University (Orange, CA), University of Minnesota (Minneapolis), Blake School (Minneaplois), Prague International Poetry Festival, Fifth International Meeting of Poets --University of Coimbra (Portugal), Birbeck College -- London University (UK), Helsinki International Poetry Festival, Analogous series (Cambridge, Mass.), Pete's Big Salmon (Brooklyn), University of California -- Davis, Mills College (Oakland), Discete Reading Series (Chicago), Notre Dame University, Double Change series at Gallerie Eof (Paris), Seance in Experimental Writing -- Cal Arts (Los Angeles), George Mason Univerity -- Fall for the Book Festval.

2005
POG readng series (Tucson), La Tazza (Philadelphia), University of Western Ontario (Frank Davey Poetics conference), Naropa University, Casa Carriego -- Casa de la poesia de la Ciudad de Buenos Aires (with translations by Ernesto Grosman), Cork Interantional Poetry Festival (Ireland), Irish Writers's Centre (Dublin), Ohio Wesleyan

2006
Whitney Museum of American Art ("I Love Poets": reading in honor of Richard Tuttle); Smith College; Indiana University of Pennsylvania; Eastern Michigan University; Temple University; Café Engel , Helsinki, OEI Reading at Gallery Milliken, Stockholm; Renaissance Society and Poem Present at the University of Chicago; Columbia University; Galapagos: Benefit for Blatt (Brooklyn); University of Coimbra (Portugal); Espaço Cultural CPFL (Capinhas, Brazil), Martins Editorio (Sao Paulo)