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For Stella, an Italian immigrant, the Brooklyn Bridge was a "shrine containing all the efforts of the new civilization, America--the eloquent meeting place of all the forces arising in a superb assertion of their powers; an apotheosis."
Hart Crane, in a letter to his patron Otto H. Kahn, September 12, 1927, says of "The River": "The extravagance of the first twenty-three lines of this section is an intentional burlesque on the cultural confusion of the present--a great conglomeration of noises analogous to the strident impression of a fast express rushing by. The rhythm is jazz."
Last Revised on Tuesday, October 26, 1999