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Gertrude Stein (1874-1946)
"Those who are creating the modern
composition authentically are naturally only of importance when
they are dead because by that time the modern composition having
become past is classified and the description of it is classical.
That is the reason why the creator of the new composition in
the arts is an outlaw until he is a classic, there is hardly
a moment in between and it is really too bad very much too bad
naturally for the creator but also very much too bad for the
enjoyer, they all really would enjoy the created so much better
just after it has been made than when it is already a classic,
but it is perfectly simple that there is no reason why the contemporaries
should see, because it would not make any difference as they
lead their lives in the new composition anyway, and as every
one is naturally indolent why naturally they don't see. For this
reason as in quoting Lord Grey it is quite certain that nations
not actively threatened are at least several generations behind
themselves militarily so aesthetically they are more than several
generations behind themselves and it is very much too bad, it
is so very much more exciting and satisfactory for everbody if
one can have contemporaries, if all one's contemporaries could
be one's contemporaries."
"Composition as Explanation"
(1926)
The Photographic Record
Alvin Langdon Coburn
(1882-1966), Gertrude Stein, 1913 |
Collection of Leo
and Gertrude Stein in the studio, 27 rue de Fleurus |
Man Ray, Gertrude
Stein and Picasso's Portrait (1922) |
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Last Revised on Sunday, September
26, 1999
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